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The National Live Literature Consortium of venues was established by Arts Council England in 2003 to explore and develop live literature. We came together to share our experiences to date, and to support the development of live literature within traditional arts venues, rather than its more common home in bars and cafes, at festivals and in bookshops and libraries.
Throughout our three years of discussion, debate and practice, we have repeatedly returned
to the same key questions:
What do we mean by live literature?
What does it include and exclude?
How is it different - for example - from theatre?
How do we talk about the artform?
How do we best describe it to audiences, to peers, to funders?
Where is the critical debate about the work happening?
Should there be (indeed can there be) a common vocabulary to describe the
work?
What can artists, venues and funders do to ensure that live literature
crashes through the glass ceiling and gets the recognition and exposure it
deserves?
How do we bridge the gap between an artist who feels their work is not seen
enough in established venues and venues who feel the packages on offer are
not suitable for their audiences or spaces?
What is the role of the producer in this and who are the live literature
producers of today - and perhaps more importantly - tomorrow?
We can't promise to give you the answers, but following an
extended period of programming, marketing and more recently producing our
own live literature work, we have begun to develop our own views and
practices.
Now Lit Up 2006 is over, we’re reviewing progress so far and planning for the future life of the Consortium and the showcase. If you are interested in getting involved, please email info@litup.org
Watch this space...
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The Live Literature Consortium is:
Dee Ashworth, Gulbenkian Theatre, Canterbury
Louisa Davies, mac, Birmingham
Matthew Linley, Phoenix Arts, Leicester
Sam Mason, Brewery Arts Centre, Kendal
Jon Morgan, Contact Theatre, Manchester
Annabel Turpin, Norden Farm Centre for the Arts, Maidenhead
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